Every Lladró piece of work is the result of a laborious artistic process. Sculptors follow their own inspiration but also perform, if the work requires it, a meticulous process of research and documentation. This is often the case with pieces or collections that reflect other cultures.
Every Lladro creation begins with an artistic inspiration. The sculptor then makes the first sketch of the new figure in clay, which is examined and approved by the Creativity Committee, made up by many members, one of whom comes from the Lladró family. The sketch, in clay, is reproduced in plaster to provide the first mold, which will in turn become the definitive mold for the porcelain figurine.
A mid-sized figurine may need between 15 and 20 molds and up to 300 for complex pieces. The fragments coming from these molds are joined by liquid porcelain paste to obtain an exact reproduction of the original model.
Once the figurine is reconstructed, the decoration process starts. In compliance with the sculptor’s instructions, and the surface of the piece –so far smooth– it is carved with delicate motifs that will give it its final appearance. It is at this point that the face on the sculpture gets its expression and the tiniest details are delicately crafted. In addition, the figurine is painted and if it requires a glossy finish is later covered with a coat of varnish, which grants it that crystalline look that is so characteristic of Lladró.